Gathering Content - What to put into the reel Pointers from Industry (Recruiters, employees, leads, etc.) Is a supplement of studio listings with specific requirements Includes sample demo reels, critiques (ideally would be screen captured with a voiceover critique), and jobs that resulted from themĪppendix II (should be posted on the web) How to negotiate a contract.Īppendix I (should be posted on the web, but book can have a printed list most of the information) This chapter talks about the interview process. How to go about networking and getting your reel into the right hands. What dimensions and codecs are needed? What is the differences? How to go about getting accurate feedback. This chapter talks about distributing your demo reel. The breakdown that accompanies the demo reel is discussed in detail, from clearly identifying your work and crediting others when necessary. Suggestions of what to do and what NOT to do are covered. Considerations of assembling your reel are discussed. This chapter is the "how to" in putting your reel together. Other topics include how to find entry level jobs and networking. This chapter focuses on how to target specific studios and what those studios want to see. A discussion about whether one needs to specialize or not is included, as well as what specific content is necessary for each area of specialization. This chapter covers what to put into the demo reel. This includes Business Cards, Letterheads, Resumes, Cover Letters, Thank you letters, Demo Reels, Demo Reel Breakdowns, Flatbooks, as well as developing a Web Presence This chapter goes over the overall portfolio package that you need to develop before you look for a job. This chapter includes the design of branding yourself, from font and color choices, to the design of Business Cards, Letterheads, Logos, and WebSites. Actual student experiences, professional animator’s techniques, and recruiter insights to help you get the inside track in the animation industry.Examples of demo reels, featuring techniques beyond just animation for Concept, Story, Layout, Modeling, and Effects Lighting. Best practices for animators looking to get their foot in the door or remain active in a competitive market.Accompanied by case studies of actual students' demo reels, this book teaches how to develop a critical eye toward effective and ineffective demo reels. This book guides you through putting the right content into your portfolio, how to cater to the right audience, and how to harness the power of social media and network effectively. The reception of that reel will make or break you so it's no wonder that creating a demo reel can be such a daunting task. It's tough to get a job in the animation industry if you don't have a demo reel and portfolio that reflects your unique style and incredible talents. There's very little documentation about this particular workflow in basically any of the online resources I've used to learn this whole skillset, and was hoping this sub would have some wisdom to share.Are you an animator looking to get your foot in the door of the top studios? Break it down with Reel Success. So given how many reels I've seen where the animation clips all seem to match the music perfectly, how is this accomplished? Do I just bring every project, all files and effects layers and all, into one master reel project and custom tailor all the animation keyframes to the music? Or do I render each animation out to video, and somehow re-time them to fit the music?įurthermore, it's abundantly clear that Premiere Pro is the bespoke editing program is there crossplay between AE and PP or should I just render out video to edit in Premiere? But when editing many clips from different projects together (as in a demo reel), naturally many of the clips will have been animated according to different rhythms or beats. When editing a single project, it's relatively easy to sync animation to music just line up keyframes to the audio. My big question involves editing the demo reel to have every clip sync up with whatever music I end up using. So I've been learning After Effects for the last 5 or so months, and I feel that I am competent enough and have enough material to cut a demo reel for job hunting.
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